Animation where Susan Murphy (voiced by Reese Witherspoon) grows into a giant on her wedding day, and then joins a team of other classic sci-fi monsters in combating an alien attack.
I was raised on 50s sci-fi, ever since my Dad started videoing a late night programme in the 80s - The Worst of Hollywood. It introduced, then showed, a dire B movie each week (a gorilla in a diving helmet using a deadly bubble machine, a hub cap on a string, and, most vivid in my mind, the Smog Monster charging its batteries from chimneys) and entered my psyche indelibly. So there was little doubt I would watch this film from the moment I saw the title, especially when my niece and nephew asked to be taken - I wouldn't be a good uncle if I didn't say yes..?
DreamWorks cannot help but be compared to Pixar, and have certainly raised the game since the beautifully animated Kung Fu Panda, but this picture has a very different aesthetic to both. It manages to evoke those classic, Cold War influenced movies from the past, cathedral like alien constructions from such films as the Forbidden Planet, and the spectacle of big budget action like Independence Day.
There is something very pleasing about the style of art as it successfully brings essential Japanese elements to the mix. Among the well crafted characters (The Missing Link's tail flopping like a thrown fish is perfect), the robot probe that assaulted San Francisco is masterfully created.
This giant alien machine manages to look cute and hapless while inflicting deadly damage to the city, and in one scene blends into the architecture ominously. The fight between it and Insectosaurus (voiced by co-director Conrad Vernon) at the Golden Gate Bridge works extremely well due to the careful mimicry of Japanese creature features.
This sequence is the first time we see the monsters in action, and is truly impressive - carrying a level of threat without scaring the little ones. The scenes within a deserted San Francisco are excellent, and need to be seen on the big screen. But the sheer success of this captivating set piece is also a flaw in the film. Like some great films before it, Monsters vs Aliens peaks too soon.
The Host and Superman Returns both had outstanding moments of special effects, extremely well used, and then were unable to create an equally satisfying finale. That is not to say these were bad films, The Host for instance chose to use dramatic character development to add weight to the final moments, and due to the time spent on building an interest in those individuals - despite the spectacle having been upstaged - we cared.
We sadly do not care quite as much about the peril attempting to be averted during the climax of Monsters vs Aliens. It chooses to place the heroes in well realised monumental alien construction, and while pleasing on the eye, we are detached from the world we recognise and therefore - despite the well scripted and choreographed humour - do not care as much as we should.
The film boils down to a series of interesting events, pasted loosely together by mediocre character interplay. It still manages to maintain attention through the well played protagonists, keeping up a steady flow of enjoyable lines and antics.
Seth Rogen as B.O.B. (based on The Blob) is consistently funny, as is Rainn Wilson, who plays the alien Gallaxhar. Stephen Colbert (President Hathaway) does not disappoint, apart from one very weak Close Encounters of the Third Kind parody. It is also good to see a strong female lead in a film that could easily have been very masculine, without being overly clichéd. The supporting cast are given far more to do here than in Kung Fu Panda, and although they are the familiar Frat Pack, do not go for the out of place humour that Shrek 3 allowed to dominate.
The kids I took were both were far more involved in this film than WALL-E, and I enjoyed the many references, such as Dr. Strangelove's War Room, and the line "destroy all monsters". Thankfully though, it did not feel as if there were two scripts being played at the same time, one for the children, the other for bored adults.
It is good to see DreamWorks continuing to try new genres and learning from previous mistakes, instead of trying to ape Pizar's style. But they still have some way to go before they have their own Toy Story.